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The Lusty Creativity of Cornelis Cornelisz van Haarlem
I was walking through the Rijksmuseum in Amsterdam a few years ago when I bumped up against an enormous painting that stopped me in my tracks. Eight feet high and almost twelve feet long, “The Massacre of the Innocents,” a depiction of the slaying of male babies ordered by King Herod in Bethlehem, placed me cheek by jowl with the most provocatively positioned, beefy male posterior I had ever seen in Western art.