Jonathan Bailey Anthony Bridgerton Britain Pop performer Interviews STARS Dreams UPS Тикеры Jonathan Bailey Anthony Bridgerton Britain

“It’s such a privilege”: Wicked’s Jonathan Bailey discusses his dreams of becoming a father

gaytimes.co.uk

Jonathan Bailey has opened up about his future fatherhood plans. Over the last few years, the beloved talent has captivated pop culture enthusiasts with incredible performances and his dreamy good looks.

In 2020, Bailey hit mainstream superstardom for his role as Anthony Bridgerton in Netflix’s acclaimed Regency-era drama Bridgerton.

Two years later, he received widespread critical acclaim for his performance as Tim Laughlin in Paramount+ and Showtime’s period drama Fellow Travellers, for which he earned a Primetime Emmy Award nomination for Outstanding Supporting Actor.

Lastly, in November 2024, Bailey wowed fans and critics yet again for his work as Fiyero in the record-breaking movie adaptation of Wicked.

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A sweetly intimate bromance plays out in this progressive Canadian indie from 60 years ago
Welcome back to our queer film retrospective, “A Gay Old Time.” In this week’s column, as the New Year brings us right until the middle of winter, let’s revisit 1965’s seasonally appropriate gay indie, Winter Kept Us Warm.Happy 2025! To start the year off with the right intentions, this week we’ll take a look at an underrated, under-seen movie from across the northern border that—even though it’s never really gotten its due diligence—occupies a niche space in the queer film canon. It’s a film with a production and a legacy that perfectly reflect the scrappiness, ingenuity, and creative spirit that has characterized our community.As we’ve discussed in this column for almost two years now, making a queer movie has never been an easy task.Subscribe to our newsletter for your front-row seat to all things entertainment with a sprinkle of everything else queer.Particularly in the early and middle decades of the last century, a myriad of obstacles would prevent our stories from being told, both within the Hollywood system and the broader culture: strict moral codes that stopped any “controversial” characters or plotlines from being portrayed, narrative conventions that limited the kind of lives and stories that could be explored, and a heavily religious and homophobic society that wasn’t ready to welcome us into their movie screens.But if it was hard to get queer movies made (and seen) in the United States—within the giant Hollywood machinery backing the productions—it was much, much more difficult in other countries.
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