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Fearing rights rollback, LGBTQ community takes precautions ahead of Trump presidency

washingtonblade.com

BY JOHN-JOHN WILLIAMS IV | When Matt McCoy made plans to marry the love of his life this week, he envisioned the ceremony as the joyous culmination of a four-year relationship.

But in the back of his mind, McCoy said, he wasn’t able to stop thinking about whether his same-sex marriage to Cole Bishop on New Year’s Eve would still be protected under a new president.

The 42-year-old Canton resident is among a number of people in the LGBTQ community anxiously awaiting what an incoming Donald Trump presidency will mean for their rights — from adoption protections to the universal recognition of same-sex marriages.

The rest of this article can be read on the Baltimore Banner’s website. The post Fearing rights rollback, LGBTQ community takes precautions ahead of Trump presidency appeared first on Washington Blade: LGBTQ News, Politics, LGBTQ Rights, Gay News.

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queerty.com
A sweetly intimate bromance plays out in this progressive Canadian indie from 60 years ago
Welcome back to our queer film retrospective, “A Gay Old Time.” In this week’s column, as the New Year brings us right until the middle of winter, let’s revisit 1965’s seasonally appropriate gay indie, Winter Kept Us Warm.Happy 2025! To start the year off with the right intentions, this week we’ll take a look at an underrated, under-seen movie from across the northern border that—even though it’s never really gotten its due diligence—occupies a niche space in the queer film canon. It’s a film with a production and a legacy that perfectly reflect the scrappiness, ingenuity, and creative spirit that has characterized our community.As we’ve discussed in this column for almost two years now, making a queer movie has never been an easy task.Subscribe to our newsletter for your front-row seat to all things entertainment with a sprinkle of everything else queer.Particularly in the early and middle decades of the last century, a myriad of obstacles would prevent our stories from being told, both within the Hollywood system and the broader culture: strict moral codes that stopped any “controversial” characters or plotlines from being portrayed, narrative conventions that limited the kind of lives and stories that could be explored, and a heavily religious and homophobic society that wasn’t ready to welcome us into their movie screens.But if it was hard to get queer movies made (and seen) in the United States—within the giant Hollywood machinery backing the productions—it was much, much more difficult in other countries.
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