If there’s anything Hollywood loves – during “Awards Season” at least – it’s a good old-fashioned epic. From “Gone With the Wind” to “Ben-Hur” to “The Godfather” and beyond, the film industry has always favored “big” movies when it comes to doling out its annual accolades, in part because awards equate to more public interest (and therefore more revenue) for films that might not otherwise grab enough attention to earn back their massive budgets.
Yet, profit motive aside, such movies exude the kind of monumental grandeur that has come to be seen as the pinnacle of filmmaking craft, a perfect blend of art and entertainment that represents Hollywood at its finest and most iconic.
It only makes sense that the people whose life is devoted to making movies would want to celebrate something that lives up to that ideal, especially when it also seems to reflect the cultural climate of its time.
That’s good news for “The Brutalist,” which has been buzzed – for months now – as the front-runner for all the Best Picture awards and seems to have proven its inevitability with its win of the Best Motion Picture Drama prize at this week’s Golden Globes.