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Donald Trump
Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality.
Trump was born and raised in Queens, a borough of New York City, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He bought the Miss Universe brand of beauty pageants in 1996, and sold it in 2015. He produced and hosted The Apprentice, a reality television series, from 2003 to 2015. As of 2020, Forbes estimated his net worth to be $2.1 billion.[
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06.09 - 00:47
30.08 - 02:23
10 LGBTQ events this week
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Below are our picks for some of the most fun and creative things to do this week in the DMV that are of special interest to the LGBTQ community.
Reign: Not Another Drag Show Monday, August 228 p.m.Dupont Italian Kitchen Bar (second floor)1737 17th Street, N.W.Eventbrite | Facebook Start your week off with a casual good time at DIK Bar complete with a drag show featuring local talent!
Drag Bingo with Desiree Dik Tuesday, August 237-9 p.m.Red Bear Brewing Co.209 M Street, N.E.Facebook Desiree Dik leads a rousing game of Drag Bingo at Red Bear Brewing Co.
on Tuesday. LGBTQ Happy Hour Bingo Wednesday, August 247-9 p.m.As You Are Bar500 8th Street, S.E.Eventbrite Enjoy an evening of free bingo at As You Are bar on Wednesday.
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17.09 / 11:37
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‘The Damned Don’t Cry’ Review: Fyzal Boulifa’s Refined, Strikingly Queer Mother-Son Melodrama
Guy Lodge Film Critic In the little-remembered 1950 noir “The Damned Don’t Cry,” Joan Crawford plays a Texan housewife whose grief for her late son spurs her to make a new life for herself in the urban underworld. Fyzal Boulifa’s exquisite new film of the same title is named expressly for that Crawford vehicle, but is neither a remake nor a direct homage. Rather, it remixes the narrative components of that film and others of its ilk into the kind of new-school-old-school heart-tugger — one might say tearjerker if its characters weren’t, true to its title, stoically dry-eyed throughout — that might have been designed for the shoulder-padded diva were she alive in 2022 and, perhaps more crucially, of Moroccan heritage.
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