Chances are, you haven’t seen Rachel Mason’s debut film, The Lives of Hamilton Fish, a surreal, arty musical about two men—one a politician, the other a cannibal—who died on the same day in 1936.
It toured the indie festival circuit, and that’s about all, and Mason didn’t expect a whole lot more from her follow-up, the highly personal documentary Circus of Books.
That all changed when Ryan Murphy came on board as executive producer, and she was amazed to see the film’s profile rise dramatically.“I actually didn’t realize how big of an impact having Ryan Murphy attached would be,” she laughs. “But his support of the film was, right out of the box, a game-changer.