As a teenage ballet student in the 1990s, Katy Pyle had no interest in dating: not boys, not girls, not anyone. A serious love interest — all consuming, really — was already in the picture: ballet. “I didn’t have space for any other relationships in my life,” Pyle, who uses the pronouns they and them, said in a phone interview from their home in Brooklyn. “It’s silly, but that was my true love.” Looking back now, at 40 — as a genderqueer lesbian and the founder of the joyful, iconoclastic ballet company Ballez — Pyle can see that relationship more clearly, how it kept them from knowing their full self.
Growing up, they knew many openly gay male dancers. But in Pyle’s mind, they said, to be a ballet dancer, gay and a woman “just wasn’t a.