Peter Debruge Chief Film CriticIt’s a gross oversimplification of Jane Austen’s gift to suggest that her novels reduce to heteronormative matchmaking exercises, though all six end with their heroines getting hitched. (Austen herself never wed.
Make of that what you will.) Gay movies have their formulas, too, few of which end in marriage. Exasperatingly, the vast majority center on one of three plots: the coming-out story, the in-love-with-my-straight-buddy dead-end romance and the coping-with-AIDS downer.
So right off the bat, there’s something fresh about “Fire Island,” a saucy queer ensemble comedy from comedian-cum-screenwriter Joel Kim Booster about looking for Mr.
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