Maybelle Blair Usa Maybelle Blair Usa

She Inspired ‘A League of Their Own.’ At 95, She’s Far From Done.

Reading now: 888
nytimes.com

Maybelle Blair walked into a sporting goods store in her early 90s with a mission: to try on a pair of spikes. The salesman suggested that she meant to ask for sneakers.

But Blair, a former pitcher for the All-American Girls Professional Baseball League, insisted on baseball cleats. “He looked at me like I had lost it,” Blair, now 95, recalled in a recent interview.

The cleats finally appeared. “He put them on my feet. I got up and marched around, and I heard that clicketyclack in my head and I was never so happy,” Blair said.

After taking the cleats for a walk in the store, Blair took them off, put them in their box and told the salesman that she wouldn’t be taking them. “That was a big thrill of my life, just to put cleats on and march again,” she said.

Read more on nytimes.com
The website meaws.com is an aggregator of news from open sources. The source is indicated at the beginning and at the end of the announcement. You can send a complaint on the news if you find it unreliable.

Related News

01.08 / 09:15
lgbtq 2020 Locarno Open Doors Standout ‘Diamond’: Empatía, Maravilla Team on the Andean Queer Universe Drama (EXCLUSIVE)
John Hopewell Chief International CorrespondentBuenos Aires-based Maravilla Cine, producer of 2018 Berlin Panorama player “Marilyn” and San Sebastian 2020 New Directors’ hit “That Weekend,” has boarded “Diamond” (“Diamante”), the first fiction feature from Bolivia’s Yashira Jordán which is shaping up as one of the standout titles at this year’s Locarno Open Doors.Maravilla Cine joins “Diamond” lead producer Empatia Cinema, rapidly consolidating as a production hub for Bolivian auteurs. Recent credits include Martín Boulocq’s “The Visitor” which premiered at June’s Tribeca Festival and Alejandro Quiroga’s Western “Los de abajo,” a Sanfic Industria pix-in-post winner in March 2021.Empatia Cinema and Maravilla Cine have jointly applied for a development grant from the Ibermedia regional film fund for Latin America, Spain and Portugal.
DMCA