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25.10 - 13:17
Abercrombie, Pushing a New Image, Confronts Accusations Against Ex-C.E.O.
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Fran Horowitz, the chief executive of Abercrombie & Fitch, said it plainly: “We are no longer the company that we used to be.” That was in 2017, and Ms.
Horowitz was referring to a series of crises that had tainted the clothing retailer during the tenure of her predecessor, Michael S.
Jeffries, who had led the company from 1992 to 2014. There were lawsuits accusing Abercrombie of discriminating against Black, Latino and Asian employees; blowback for selling sexualized clothing to children; and accusations that its marketing to “the attractive all-American kid” excluded potential customers based on weight.
Under Mr. Jeffries, Abercrombie’s stores emulated nightclubs, with dimmed lighting and images of half-naked young models lining the walls.
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26.10 / 21:29
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Ball
As Georgia Decides Its Future, Artists Are Worried About Theirs
On a sultry late summer night, in a horseshoe-shaped club cantilevered over the Mtkvari River that cuts Georgia’s capital, Tbilisi, in two, the artist and drag performer Andro Dadiani was belting out the last bars of his aria act a cappella. Wearing a sweeping ball skirt the same shade of blue as the European Union flag, and a mask made of his own hair, Dadiani was headlining what the Drag Ball organization had said may be the last of its club series in Georgia. But for the overflow crowd, studded with the country’s leading artists and designers, the evening signified something more ominous: potentially a last gasp for Georgia’s rich contemporary art and cultural landscape.
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