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‘On Swift Horses’ Review: Jacob Elordi & Daisy Edgar-Jones In Star-Crossed Noir-ish Queer Love Story — Toronto Film Festival

It is the Eisenhower era, a time of post-war promise in California, a place for new beginnings and new love. Into this setting, Shannon Pufahl placed her debut novel On Swift Horses, which was a prize winner for lesbian fiction, but in the movie version, this becomes a more complicated romantic drama, mixed with gambling, noir-ish tones, horse racing and a complex love triangle that don’t all mesh as well as they might, but give this attractive and talented cast an “A” for trying to make it all plausible.
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08.09 / 04:11
film information wellness google Enterprise Provident ‘On Swift Horses’ Review: Jacob Elordi & Daisy Edgar-Jones In Star-Crossed Noir-ish Queer Love Story — Toronto Film Festival
It is the Eisenhower era, a time of post-war promise in California, a place for new beginnings and new love. Into this setting, Shannon Pufahl placed her debut novel On Swift Horses, which was a prize winner for lesbian fiction, but in the movie version, this becomes a more complicated romantic drama, mixed with gambling, noir-ish tones, horse racing and a complex love triangle that don’t all mesh as well as they might, but give this attractive and talented cast an “A” for trying to make it all plausible.
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