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Nir Bergman and Mindi Ehrlich Discuss Their Tallinn-Playing Queer Drama ‘Pink Lady,’ Set in Israel’s Ultra-Orthodox Circles
Annika Pham “This film is important, but the most important [thing] for us right now is to bring the hostages back home and for the Israel-Middle East conflict to stop as fast as possible,” says Nir Bergman, one of Israel’s most esteemed filmmakers, in a conversation with Variety about his Tallinn competition entry “Pink Lady.” Bergman, whose credits include the multi-awarded pics “Broken Wings,” Cannes selected “Here We Are” as well as the original Israeli series “BeTipul,” later turned into HBO’s “In Treatment,” has peaceful messages of tolerance and acceptance in many of his works. His latest drama, “Pink Lady,” running in the official selection of Tallinn’s Black Nights Film Festival, tackles the topic of hidden sexual desires and homosexuality in an ultra-Orthodox community in Jerusalem.
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