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Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality. Trump was born and raised in Queens, a borough of New York City, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He bought the Miss Universe brand of beauty pageants in 1996, and sold it in 2015. He produced and hosted The Apprentice, a reality television series, from 2003 to 2015. As of 2020, Forbes estimated his net worth to be $2.1 billion.[
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It’s a fun ride for fans to ‘Asteroid City’

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It’s tough being a Wes Anderson fan. If you are one, you know exactly what we’re talking about. Loving the work of America’s most eccentric filmmaker means accepting the fact that there will always be a significant number of other people who can’t stand it, and that any effort to explain why you like his films to someone who doesn’t has almost as much potential for being divisive as a conversation about politics, though the stakes are admittedly much lower.

It also means putting up with the fact that his quirky directorial aesthetic, which has been parodied for decades now by TV shows like “The Simpsons” and “SNL” and become the inspiration for a massive explosion of AI-aided spoofs all over social media – is now enshrined in popular culture as an easy target for satire, almost certainly familiar to more people as the butt of a joke than as the stylish work of a meticulous auteur.

To be fair, though, the jokes are usually funny, and many of those send-ups were made by Anderson fans themselves, paying tribute to the uniquely fey cinematic style they love.

The director’s latest, “Asteroid City,” is bound to provide considerable fodder for both heated debate and high-concept snark; indeed, it is such a “Wes Anderson film” that it sometimes feels like it is making fun of itself – and whether that is a good thing or not may depend on how you feel generally about Wes Anderson films.

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