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Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality.
Trump was born and raised in Queens, a borough of New York City, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He bought the Miss Universe brand of beauty pageants in 1996, and sold it in 2015. He produced and hosted The Apprentice, a reality television series, from 2003 to 2015. As of 2020, Forbes estimated his net worth to be $2.1 billion.[
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Pakistan's transgender community remains ostracised
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france24.comThe movie "Joyland" failed to make the Oscar nominations for best international feature film. But the first Pakistani film to be selected for the Cannes Film Festival is still making headlines.
It tells the story of a married man who falls in love with a transgender erotic dancer. The controversy around "Joyland" has put the spotlight on the issue of transgender people in Pakistan, known as khwaja siras, who have a special status in Pakistani law.
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22.02 / 18:13
gatherings
Trans
Transgender
‘20,000 Species of Bees’ Review: Gentle, Humane Spanish Drama Chronicles a Young Trans Girl’s Summer of Self-Realization
Guy Lodge Film Critic In time, stories like “20,000 Species of Bees” will come to feel as commonplace within the coming-of-age genre as tales of first love or heartbreak: a young girl, unhappy in her skin and at odds with her family, finally recognizes her gender over the course of one pivotal summer, and persuades others to recognize it too. For now, Spanish writer-director Estibaliz Urresola Solaguren’s mellow, softly piercing debut feature joins the likes of Céline Sciamma’s “Tomboy” and Emanuele Crialese’s “L’Immensità” in a select but growing canon of trans or nonbinary childhood studies. Unassuming and meanderingly character-oriented, the film doesn’t assert itself as an issue drama — in large part because, as Solaguren presents her eight-year-old protagonist’s gradual steps toward self-realization, her film doesn’t see much of an issue to begin with.
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