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Cheyenne Jackson on staying fit, reimagining his masculinity & daddy vibes
the state of the nation, which makes it an even more potent time to revisit the works of composer-lyricist Jerry Herman, who always managed to find a ray of sun in a cloudy sky. Mame and Hello, Dolly! centered strong female characters, but it was 1984’s La Cage aux Folles that put a gay couple front and center for the first time on Broadway.