Remembering pioneering gay author James Baldwin and his legacy to queer Black identity
James Baldwin’s work has been experiencing a renaissance in recent years, especially in light of Raoul Peck’s 2016 documentary, I Am Not Your Negro, the Academy Award-winning 2018 adaptation of his novel If Beale Street Could Talk, and the announcement of a forthcoming biopic featuring Pose star Billy Porter.
But Baldwin’s legacy far outweighs these on-screen accolades both in his enormous literary cannon and, more importantly, in the voice he gave to the Black and homosexual communities in the US during the 50s and 60s.
Born in Harlem, New York, on August 2, 1924, James Baldwin was the eldest of nine. He was raised by his mother and Baptist stepfather in a low-income household.Baldwin’s first novel, Go Tell It on the Mountain, was published in 1953 and was followed by his first book of essays, Notes of a Native Son, in 1955.Whilst both publications dealt with common themes of the author’s work, such as racial identity, the isolation of the artist, and the problems of American society, it wasn’t until his second novel, Giovanni’s Room, that he truly laid claim to his identity as a queer black writer.Giovanni’s Room dealt explicitly with homosexuality and was published at a time when few other writers dared to publish gay-themed works.In his 2013 article for the New York Review, ‘On James Baldwin’, Darryl Pinckney eloquently described what it meant to discover the queerness in the novel and essayist’s writings. “No other black writer I’d read was as literary as Baldwin in his early essays… There is something wild in the beauty of Baldwin’s sentences and the cool of his tone, something improbable, too…”However, as a gay African-American, Baldwin struggled with his identity in a racist and homophobic society.
His sexuality clashed with his activism in the black civil rights movement, leaving him at odds with close friends like Martin Luther King Jr and Malcolm X.
