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Donald Trump
Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality.
Trump was born and raised in Queens, a borough of New York City, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He bought the Miss Universe brand of beauty pageants in 1996, and sold it in 2015. He produced and hosted The Apprentice, a reality television series, from 2003 to 2015. As of 2020, Forbes estimated his net worth to be $2.1 billion.[
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17.05 - 12:15
SheDFW debuts with staged reading at Resource Center on Tuesday night
Reading now: 925
SheDFW is the newest chapter of SheNYCArts. The collective will debut Tuesday evening with a staged reading of Let Me In by Zander Pryor.
Performance is at 7:30 p.m. at RC for one night only. But first, what is SheDFW? That’s answered more by what SheNYCArts is.
From its website: We’re a femme-led 501(c)3 nonprofit organization that fights for gender equity in the arts & entertainment industry.
We focus most of our support on the original creators — playwrights, composers, and producers — to get more women, trans, and non-binary people in these roles that decide which stories get told.
The website meaws.com is an aggregator of news from open sources. The source is indicated at the beginning and at the end of the announcement. You can send a complaint on the news if you find it unreliable.
29.05 / 00:59
film
queer
death
Love
Dreams
beautiful
‘Viet and Nam’ Review: History Is a Shallow Grave in a Plaintive, Penumbral Queer Romance
Jessica Kiang Late 20th-century Vietnamese history casts a trancelike spell across Truong Minh Quy‘s “Viet and Nam,” a thickly shadowed exploration – or should that be excavation? — of national trauma and its habit of living on, in spectral form, through subsequent generations. Given an edge of radical newness by its frank, grimily beautiful portrayal of gay lovemaking (seldom have the body-contouring properties of coal dust on sweat-slicked skin been more sensuously explored), still, the rhythms of Truong’s film are slow, and the curtains-drawn darkness of much of its 16mm imagery may induce a state of meandering, semi-directed sleepiness.
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