Although trans rights are now the subject of a simmering culture war in America and the U.K., that conflict is largely predicated on the increasing visibility of trans women at a time where self-ID is controversially becoming the norm.
Stories of trans men, however, tend to go under the radar, and this remarkable New York-set debut from Chilean-Serbian director Vuk Lungulov-Klotz goes some way to redressing that imbalance.
Featuring a pitch-perfect performance from Puerto Rican/Greek actor Lío Mehiel, so far mostly known for the Apple show WeCrashed and a number of shorts, U.S.
Dramatic Competition entry Mutt feels like an important but — for reasons about to be explained — perhaps interstitial film in the history of LGBTQ+ cinema, being fully cognizant of the fact that it is set and was made in a between-time that reflects the lead character’s existential sense of limbo.