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Keeping Pedro Zamora’s fighting spirit alive on the 30th anniversary of his passing: “We owe it to him”
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I’ve been thinking about this post for awhile, and I had hoped/assumed it would be a little more ‘celebratory.’ Despite losing him, I was assuming that we were entering a time of greater hope.
But instead, we’re entering, or continue, to live in an era very much like the times when we lost Pedro. And I guess, maybe now more than ever, we should remember him.
He was living in a time and living a life that [was]under a cloud of despair. At 17, he was diagnosed with HIV. AIDS in the 90’s with nearly no medical solutions to prolong your life, you lived under the cloud of a death sentence.
And with that, Pedro, who wasn’t much more than a boy, chose to fight. He’d wake up every single day, put his boots on, and go fight.
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08.12 / 21:55
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Review: The vibes are high in T3’s ‘Natasha, Pierre and the Great Comet of 1812’
A musical version of War and Peace isn’t the best selling point. Tolstoy’s tome is a massive masterpiece of Russian literature. That may not sound the most delightful stage adaptation, but in Dave Malloy’s Natasha, Pierre and the Great Comet of 1812, he pared the task down, took about 70 pages of the book and turned it into a theatrical experience that doesn’t weigh as heavy as the source material. Theatre Three continued its season by opening the show that was uproarious from its opening number and delivered a fresh and feisty musical that wasn’t always easy to follow, but still satisfied in all its gorgeous splendor.
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