At first glance, “Love Lies Bleeding” might look like another Americana-steeped tale of lovers on the run. But a look beyond its sleek hardbodies reveals that director Rose Glass has once again made a monster movie, albeit one of a different character than the spiritual possession in her scorching debut “Saint Maud.” Here, Glass finds a Gothic-tinged tale of passion and pride burning brightly amidst the embers of the eighties.