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Donald Trump
Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality.
Trump was born and raised in Queens, a borough of New York City, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He bought the Miss Universe brand of beauty pageants in 1996, and sold it in 2015. He produced and hosted The Apprentice, a reality television series, from 2003 to 2015. As of 2020, Forbes estimated his net worth to be $2.1 billion.[
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Meet Ryan Buggle, the 13-year-old Law and Order SVU star paving the way for young LGBTQ+ characters
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Ryan Buggle has been in front of a camera ever since he was three years old. He made his start in the industry starring in a Toys R Us commercial and was immediately bitten by the acting bug.
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22.06 / 15:13
2020
reports
Gay
Transgender
‘The Stroll’ Review: Archive-Driven Doc On NYC Trans Sex Workers Is a Wonder
Guy Lodge Film Critic Queer history is an act of excavation. Telling stories about the LGBTQ+ community — and of transgender people in particular — necessarily requires sifting through archives that are outright hostile to those they document. In “The Stroll,” a new HBO documentary directed by Kristen Lovell and Zackary Drucker, the filmmakers excavate decades’ worth of images to tell the story of trans sex workers in the Meatpacking District of New York City. Ostensibly a slice of local history of an increasingly gentrified city that sees marginalized folks as handily disposable, “The Stroll” is an empathetic portrait of a community still fighting for its own survival. The film opens on footage of a young Lovell, taken from the 2007 doc “Queer Streets,” in which she speaks about how she first turned to sex work to make money — more money, in fact, than what she made at her day job. Her eyes are a bit glazed and she keeps looking away: ashamed, perhaps, of what she’s matter-of-factly describing. We then witness the filmmaker, all these years later, assessing those shots in an editing bay where she further explains how she was likely on cocaine when she had cameras following her close to two decades ago.
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