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Hip-Hop’s complicated history with queer representation
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I didn’t really start listening to rap until my college years. Like many queer Black children who grow up in the closet, shielded by puritanical Christianity from the beauty of a diverse world, I longed to be myself.
But the affirming references I could pull from — in moments of solitude away from the wrath and disdain of family and friends — were in theater and pop music.
The soundtrack to my teenage years was an endless playlist of pop divas like Lady Gaga and Beyoncé, whose lyrics encouraged me to sashay my hips anytime I strutted through a long stretch of corridor.
I was also obsessed with the consuming presence of powerful singers like Patti LaBelle, Whitney Houston, and the hypnosis that was Chaka Khan.
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12.10 / 02:09
Entertainment
Theater
Curtain Call
Don’t miss your chance to marry Daniel K. Isaac in ‘Every Brilliant Thing,’ a soulful one-person show that’s anything but
Every Brilliant Thing at Geffen Playhouse in Los Angeles, a one-person show starring Billions actor Daniel K. Issac that invites audiences into an intimate theater and then (politely) asks them to be part of the act.Written by English playwright Duncan Macmillan, Every Brilliant Thing began as a short monologue back in ’06—performed by the likes of Fleabag creator Phoebe Waller-Bridge — and was later fleshed out into a 70-minute piece, which premiered at the Ludlow Fringe Festival in 2013.Since then, various iterations of the play have been produced, and Macmillan invites these productions to take creative liberties with the source, adjusting his script to suit the location and the central performer.In the case of the latter, that’s the aforementioned Daniel K.
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