Katy Perry Matthew Lopez Freddie Mercury David Bowie Casey Macquiston Taylor Zakhar Perez Red White Idaho city Broad bisexual Life heartstopper Red White & Royal Blue Royal Blue 2023 Katy Perry Matthew Lopez Freddie Mercury David Bowie Casey Macquiston Taylor Zakhar Perez Red White Idaho city Broad

All the reasons why 2023 is the year of the bisexual man

Reading now: 503
www.queerty.com

Heartstopper, coming outs from reality TV stars, and Diplo identifying as “not not gay,” it seems 2023 is finally ushering in a male bisexual pop-culture renaissance.

Though we’ve largely gotten past stigmatization around female bisexuality in media (thank you Katy Perry, Kissing Jessica Stein, and Broad City), we haven’t always afforded carte blanche to boys.

Perhaps that’s why Prime Video’s hit rom-com Red, White, and Royal Blue (based on Casey McQuiston’s bestseller)is being heralded as quietly revolutionary.

as a bisexual, i sit like both of these men pic.twitter.com/jbgl40nObNIn the film, Alex Claremont-Diaz (Taylor Zakhar Perez) is not only the first son who’s fallen for Henry, the Prince of England (Nicholas Galitzine).

Read more on queerty.com
The website meaws.com is an aggregator of news from open sources. The source is indicated at the beginning and at the end of the announcement. You can send a complaint on the news if you find it unreliable.

Related News

12.10 / 02:09
Entertainment Theater Curtain Call Don’t miss your chance to marry Daniel K. Isaac in ‘Every Brilliant Thing,’ a soulful one-person show that’s anything but
Every Brilliant Thing at Geffen Playhouse in Los Angeles, a one-person show starring Billions actor Daniel K. Issac that invites audiences into an intimate theater and then (politely) asks them to be part of the act.Written by English playwright Duncan Macmillan, Every Brilliant Thing began as a short monologue back in ’06—performed by the likes of Fleabag creator Phoebe Waller-Bridge — and was later fleshed out into a 70-minute piece, which premiered at the Ludlow Fringe Festival in 2013.Since then, various iterations of the play have been produced, and Macmillan invites these productions to take creative liberties with the source, adjusting his script to suit the location and the central performer.In the case of the latter, that’s the aforementioned Daniel K.
DMCA