When the Academy of Motion Picture Arts and Sciences makes the annual announcement of Oscar nominations, it’s always a day of divisive opinions – but even the most divisive Oscar controversies of the past are bound to end up feeling like a pleasant chat over brunch compared with the one that has predictably erupted over yesterday’s revelation of the Academy’s slate of contenders, in which “Emilia Pérez” became not only the most-nominated film of the year, but the first to score a Best Actress nod for a transgender actor.
It’s a milestone that hardly comes as a surprise. The film’s star, Karla Sofía Gascón, has been considered a front-runner in the category throughout the awards season so far, already winning the Golden Globe for Best Lead Actress (Musical of Comedy) and snagging an equivalent nomination for the upcoming SAG Awards – whose membership also happens to represent the largest percentage of Academy voters, thereby making their choices a solid indicator of how things are going to go down on Oscar night.
In any other year, apart from being noted as a historic first and inevitably ruffling a few conservative feathers, Gascón’s inclusion in the lineup would likely otherwise feel like business as usual.
That, however, was before the return of convicted felon Donald Trump to the White House. Days after the former reality show star signed an executive order proclaiming that the United States will henceforth legally recognize only “two genders” (justified in part by the invocation of “concrete reality,” whatever that is), it seems that Academy voters have a dissenting opinion – and suddenly, a simple Oscar nomination feels like an act of resistance against the government itself.