Growing up in South Philadelphia, Quil Lemons first trained his lens on family and friends, his photographs of cousins and neighbors snaring the art world’s attention.
By the time he was 20, he was focusing on young Black men as the subjects of “Glitterboy,” a series that highlighted, as its title suggests, adolescents slathered in glitter and colorful grease.
Lately, Mr. Lemons has expanded his range. “Quiladelphia,” his new group of highly provocative, radically intimate photographs, on view through Nov.
4 at the Hannah Traore Gallery on the Lower East Side of Manhattan, is billed as an exploration of Black manhood. Speaking by phone from his apartment in Brooklyn, Mr.