Janelle Monáe Harvey Guillén Kim Petras Kristen Stewart Michaela Coel Ariana Debose Phoebe Bridgers Fashion Lil Nas X 2023 Janelle Monáe Harvey Guillén Kim Petras Kristen Stewart Michaela Coel Ariana Debose Phoebe Bridgers

The Best Of Queer Faves At The 2023 Met Gala

Reading now: 648
metroweekly.com

The Met Gala is not real life, and that’s why the public is so entranced by it.It’s all of our favorite stars of film, TV, music, and beyond, dressed up not even to the nines, but to another planet.

And we love to see it.It’s important to remember that the Met Gala is not a typical red carpet. It’s something else entirely.

It’s a costume event, which means that the clothing you see on the brightest and most famous in the world are not meant to be worn by the rest of us as we head to work and run our errands.These are couture pieces, one-of-a-kinds, and the first Monday in May always allows people on social media to give their two cents (as they’ll always do) regarding who was the best dressed, who made a mistake, and who was mother – and it’s usually not just one woman.This year, the theme was centered around the late Karl Lagerfield, so it was a lot of black and white and Chanel-inspired outfits.Those in the LGBTQ community who earned a spot on the carpet really turned it out, and some of them ranked on everyone’s best-dressed list.Here’s a look at some of the must-see looks from queer faves on the long and camera-crowded Met Gala’s red carpet..

Read more on metroweekly.com
The website meaws.com is an aggregator of news from open sources. The source is indicated at the beginning and at the end of the announcement. You can send a complaint on the news if you find it unreliable.

Related News

31.05 / 13:09
film Entertainment Pride50 For over 30 years, Gregg Araki’s been making cinema a queerer, sexier place
Totally F***ed Up, at the Sundance Film Festival. Rebellious, independent, and fearlessly queer, Araki’s radical spin on the coming-of-age genre would later be recognized as the first of his “Teenage Apocalypse” trilogy, which also included the dark road-trip romance The Doom Generation (’95) and sci-fi-twinged black comedy Nowhere (’97).Nearly three decades on, one might expect these films to feel tame in retrospect, that maybe they—like many thirty-somethings—have lost some of their edge.But that’s the thing about Araki: No matter how much the world changes (or does’t), his oeuvre is always on the bleeding edge—sexy, funny, shocking, punk, and unabashedly queer.Timelessly transgressive, Araki is, without a doubt, one of the most important directors to come out of the ’90s, whose influential work will surely continue to inspire the independent filmmaking landscape for another 30 years, at least!Born in 1959 to Japanese-American parents just outside of Los Angeles, Araki has said he came of age at “such an innocent time.” That made him all the more susceptible to the influence of punk rock, new wave, and the indie alternative culture that began to bubble up in the early ’80s, just as he was beginning film school.After attending UC Santa Barbara, he enrolled in University Of Southern California’s School Of Cinematic Arts, and graduated with an M.F.A.
DMCA