A jubilantly queer ‘Anthem’ for a world beyond borders
In a season that has so far failed to deliver the kind of big-ticket Hollywood must-see “prestige” blockbusters we enjoyed with the “Barbenheimer Summer” of 2023, it’s a relief that there is so much under-the-radar indie content out there to fill in the gaps.
That’s especially true, perhaps inevitably, when the story resonates with “minority” populations and is told by someone from among them who shares their longing to see themselves represented on the screen – and the perfect case in point can be found in “National Anthem,” the first feature-length work from photographer/filmmaker Luke Gilford, which is currently enjoying a limited theatrical run a year after an acclaimed debut at 2023’s SXSW Festival in Austin.
Inspired by his photo monograph of the same name, Gilford’s movie takes place in rural New Mexico and centers on 21-year-old Dylan (Charlie Plummer), a day laborer struggling to provide for his alcoholic mother (Robin Lively) and pre-teen brother (Joey DeLeon) while dreaming of escape.
Hired for an extended job at a ranch outside town – headquarters for queer rodeo stars Pepe (Rene Rosado) and Sky (Eve Lindley), and home to the diversely gendered commune of pan, poly, and non-conforming “misfits” they’ve gathered around them – he is soon drawn into the fold by feelings he’s used to keeping secret.
