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Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality.
Trump was born and raised in Queens, a borough of New York City, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan. The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He bought the Miss Universe brand of beauty pageants in 1996, and sold it in 2015. He produced and hosted The Apprentice, a reality television series, from 2003 to 2015. As of 2020, Forbes estimated his net worth to be $2.1 billion.[
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Irish LGBTQ+ para-cyclist Katie-George Dunlevy wins gold at World Championships
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On Thursday, August 10, Irish LGBTQ+ athlete Katie-George Dunlevy added yet another gold medal to her already impressive collection, winning the para-cycling tandem time trial at the 2023 UCI World Championships.
Competing in Dumfries and Galloway, Scotland, alongside her teammate Linda Kelly, the pair finished the race in a time of 37 minutes 18.22 seconds,….
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08.09 / 14:17
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Transgender
‘Woman Of…’ Review: Heartfelt Polish Character Study Unpacks a Trans Woman’s Life, From Cradle to Rebirth
Guy Lodge Film Critic There will come a time, perhaps not even too far from now, when films like “Woman Of…” may feel, if not old hat, at least familiar, part of a genre unto itself: not a coming-of-age story but a coming-of-self one, tracing the particular life stages of identifying oneself as transgender, accepting oneself as such, and finally living that truth out loud. Spanning decades in its closeup portrait of a Polish trans woman traveling that trajectory in a social climate hostile to her very existence, Małgorzata Szumowska and Michał Englert’s heart-on-sleeve film isn’t aiming to be revolutionary — there’s an old-fashioned melodramatic heft to its episodic construction, setting its heroine’s tale in a pointedly mainstream context.
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