This month’s movies have been shaded with an awful lot of “noir.” Not only that, but a surprising number of these movies – more accurately described as “neo-noir” to distinguish them from the formative black-and-white classics in this murkiest of all genres – are also very queer.
We’ve seen Ethan Coen’s Tarantino-esque darkly comic lesbian road trip “Drive-Away Dolls” and the UK drag queen revenge drama “Femme”; now, from sophomore director Rose Glass (“Saint Maud”) comes “Love Lies Bleeding,” which might be queerest of the bunch so far.
It might be the “noir”-est, too; though there are a lot of vagaries around the characteristics that are required for applying that label, one of the most essential qualities is surely a morally ambiguous story.
And morality can’t get much more ambiguous than it is in this retro-nostalgic throwback tale set on the fringes of the Albuquerque underworld of 1989.