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PHOTOS: 15 pics of Johnny Sibilly rocking a tank top–or less
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Queer As Folk reboot and the recurring role of Wilson in HBO’s award-winning series, Hacks.Sibilly grew up in a military family.
Born on September 5, 1987, in New Orleans, he’s of Cuban and Dominican descent. His childhood included stints in Germany, Texas and later Miami.
From a young age, he knew he wanted to be an actor.Besides Hacks and Queer As Folk, he’s appeared in Pose, The Deuce, and Over My Dead Body.
Away from the screen, he’s a vocal advocate for advancing LGBTQ+ rights and creating more opportunities for queer and Latin-American performers.Last year, W magazine asked him about concerns his mom once expressed about Sibilly being typecast in gay roles.
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19.07 / 19:59
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WATCH: This award-winning drama features one of the hottest scenes in a laundromat you’ll ever see
Before Sunrise/Sunset/Midnight, each following a day in the life of two strangers-turned-lovers.Mutt, the feature debut from rising filmmaker Vuk Lunglov-Koltz, follows in Linklater’s footsteps—honing in on one eventful day in New York in the life of a young man named Feña (Lío Mehiel)—but carves a path of his own, telling a story that’s intimate, groundbreaking, and distinctly queer.Since transitioning, Feña’s been concerned with looking forward, but hits some road blocks when loved ones from his past suddenly re-enter his life.First, there’s his ex, John (Cole Doman), who he encounters one night out at a bar—clearly these two didn’t end on the best terms, but there’s a sense of unfinished business that brings them back into one another’s orbit.The next morning at work, Feña gets a surprise visit from his kid sister, Zoe (MiMi Ryder), who’s cutting classes. Feña’s fraught relationship with their mother has kept the siblings at arm’s length, but his big brother instincts kick in when he realizes his sister needs his help.Meanwhile, Feña’s spending the entire day anxiously awaiting his father Pablo’s (Alejandro Goic) arrival from Chile, who’s crashing with him while he visits the city.
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