Drag is all over the news these days, and rightly so. After all, drag queens and kings are currently standing alongside their trans siblings on the front lines of the latest raging battle against the queer community by extremist bigots bent on legislating us all out of existence.
What’s particularly chilling about the current focus on drag culture as a nexus for all that – according to the haters – is “evil” about the queer community is that, in the last decades, it has experienced a surge in popularity that extends deep into the mainstream.
This, of course, is why it’s being targeted now; with LGBTQ acceptance already the norm for a rising generation of Americans, the anti-LGBTQ conservatives are ramping up their efforts to push back the tide, and they are doing it in the most time-honored (and insidious) way possible – by positioning themselves as “protectors” of children and advancing the lie that being queer is somehow synonymous with being a pedophile.
Drag, of course, is an ancient art that has nothing to do with sex or sexuality; there’s something deeply human about it, an expression of some natural fascination with gender lines that, by acknowledging it, gives us permission to cross them – or, at the very least, to not take them so seriously.