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Despite behind-the-scenes drama, Capote gives a delicious performance in this gay director’s whodunit

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Welcome back to our queer film retrospective, “A Gay Old Time.” In this week’s column, we’re revisitingthe 1976 whodunit Murder By Death in the wake of its “cameo” on Feud: Capote Vs.

The Swans.Whodunits have always been part of the queer canon. It’s a genre not necessarily known for portraying queer relationships or dynamics explicitly, but rather one that speaks directly to the interests and themes that resonate with us.

Whether it’s devouring Agatha Christie novels, staying up late to marathon episodes of Murder, She Wrote, or memorizing every single line of Clue, this is a genre that’s long appealed to our community.Subscribe to our daily newsletter for your front-row seat to all things entertainment with a sprinkle of everything else queer.And while the history of the whodunit is quite expansive, its framework is rather limited—and that’s the fun of it—with thousands of variations that use the same handful of narrative tropes and characters: a detective, a group of suspects, a secluded location, and scattered clues to put together.

Change just one of those elements and suddenly you have a completely different story; the opportunities are endless! (A board game was literally created with this in mind.)And, in turn, that interchangeable template has been applied to a wide range of tones and subgenres.

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Fashion film Entertainment photography trailer park homoerotic Art WATCH: A photographer’s secret collection of homoerotic art offers a glimpse into the hidden past
Vogue, Harper’s Bazaar, Town & Country, and thanks to a cover shoot with artist Lisa Fonssagrives, he is said to have lensed the world’s first-ever supermodel.But, unknown to most of the world, Lynes was also responsible for an entirely separate body of work, photographs which, if made public, could get him thrown and jail—or worse.Subscribe to our newsletter for your front-row seat to all things entertainment with a sprinkle of everything else queer.“It was hot and dangerous stuff,” one expert says in Hidden Master: The Legacy Of George Platt Lynes, a new documentary from acclaimed art director Sam Shahid which lifts the curtain on the photographer’s secret collection, much of which has remained behind closed doors until very recently.While his commercial career was flourishing in the ’30s and ’40s, Lynes also pursued his passion for nude portraiture and often outright homoerotic art—photographs both radically intimate and explicit, and wildly ahead of their time.In stark black-and-white, his private collection offered a survey of the male form, capturing devastatingly handsome men at their most vulnerable and powerful. Brimming with “emotion and authentic sexual energy,” these photographs are unmistakably a product of the queer male gaze.After Lynes died of lung cancer in 1955—at the young age of 48—it was reported that he had destroyed these secret archives, possibly out fear that their discovery could ruin the careers and lives of his subjects.
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